
- Wedding in Tooting South London
This weeks blog is a portrait image for a change. When shooting documentary style weddings it is second nature to stick with landscape images as it is almost a pre-conditioned way of thinking and shooting. But sometimes we see something that can only be captured as a portrait.
At this wedding in South London I was in a large dance hall above a pub that has always been a mecca for dancing. (Instead of the normal first dance the bride had decided to break with traditional and have all her guests join her in a salsa lesson. Some of you may shudder at this point and think a first dance is tricky enough but mass salsa…! Well, I will upload some photos from this during the week which will show how much fun it actually was. Everyone got stuck in and it was great fun.)The venue had hung heavy drapes over all the windows but the internal light source was an immense wall of rope lights. At the top table everyone was bathed in light from this but on some of the other tables further away things got a little darker. I found a position in the room during the speeches where I saw this lovely image of a young girl sitting on a family table with her Grandad. The light fell on both their faces in such a way that only their expressions seemed to be highlighted and all other details fell away into darkness.
Speeches can be full of fun and laughter and mutual glances of delight are often exchanged between partners and family. This is great to capture and a rich source of images from the day. However there often comes a time in the speeches when the grooms words crank up the emotion and everything seems to go still. We are all paying attention. In this image we have two very different generations both intently listening at that ‘gulp’ point when a husband is telling his wife about his love for her.
Everything we need to know about what is happening is held in their expressions. The light picks this out wonderfully but I especially enjoy the way the shape of the flowers in the girls hair are echoed in the table decorations on the right. Formally it makes this image very stable and we can read it left to right as their gaze takes us.
Moments like these that surround the main event are of equal importance. One of the joys of standing back and watching a scene like this unfurl is to be able to capture things that otherwise go unrecorded. That’s an amazing part of my job.